Ballet Star Matthew Ball on Demanding Parts and Online Attention: 'I'm Not Precious About My Body'
Within the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is naturally straight-backed, his limbs muscular beneath a plain white T-shirt. On stage, ballet dancers can appear as mighty gods, yet frequently in person they are small. Not so Ball, whose height is part of his demand for princely roles and pas de deux work. With delicate traits and intense eyes, there's a touch of Robert Pattinson about him.
An Apparent Ascent to the Top
Now 31, Ball is enjoying the crest of a career that has progressed smoothly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he graduated directly into the troupe and was promoted annually, attaining the top rank of lead dancer in 2018. He has loved tackling meaty dramatic roles, especially the emotional angst found in a famed choreographer's works.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
Ball's upcoming featured appearance is in a talk, in an "In Conversation" event aiming to offer behind-the-scenes insights into a performer's craft. He will walk the crowd through a part, showing his mental process during execution. Even in more comedic ballets, the test is profound. "A classic ballet is one of the toughest technically," he notes.
The Mental Struggle and Post-Performance Emotions
How does he feel after a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get lost in the character, frequently I do feel self-conscious afterwards. Following an intense role I'm always thinking: Wow, what must people think?"
Offstage, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."
Early Motivations and Artistic Influences
His tenacity stemmed from early experiences. Not doing well in competitions at school made him "driven!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.
The next endeavor is making his own dance works. In his view, "organic movement has value." "Breaking the conventions is compelling, but just acting that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and art.
Intimate Performance and Private Dynamic
He also favors staging dance in smaller venues. "It was just really thrilling," he says of a previous show. "You’re so close to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"
Ball has created pieces with his girlfriend, fellow principal Mayara Magri. The level of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Bodily Perception
On Instagram, fans can see videos from his dance films and photos that showcase a athletic physique. Does he care that the response can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on multiple ways.
Ball characterizes his early self as "eager for success." Did it lived up to his expectations? "I feel very aware of how reality is a separate thing to the dreams you had as a young person," he muses. He likely has another ten years of performing left. "I suppose in the time to come, I want to be a bit more kind with myself."